Discogs Sales

I am selling two thirds of my music collection on Discogs.

That's everything you see here, which is stored in dessicated packaging in my basement.

The smaller quantity which I am keeping is upstairs in my study.

I catalogued the whole collection of 6,000 items during lockdown.

This is all wonderful stuff, but it has been in storage now for a while.

Maybe there's something you'd be interested in?

Please check my seller terms at the top right here for any questions.

Sick Veg

I can hear the grass grow...

 

[Please head this way to my latest blog Sick Veg.]

Jules Evans Interview

Forms

Retreat New Thinking Allowed Interviews

Retreat Links Round-up

Interview with Psychoanalyst Randi Fine

Interview with Dr Pamela Peeke

Music Journalist Insider Q&A

Mindful Cranks Podcast with Ron Purser

Review in the Los Angeles Review of Books

Review in the FT

Article about books for The Quietus

Retreat excerpt in TANK magazine

Voices of Esalen Podcast Interview

Eastern Philosophy and the Cosmic Sound in the Counterculture Mix

[John Coltrane: Om introduction]

The Beatles: Tomorrow Never Knows

[Ravi Shankar: Raga Documentary]

John Coltrane: India

[Pandit Pran Nath: On Lord Krishna]
The Byrds: Eight Miles High

Tony Conrad and Faust: The Pyre of Angus was in Kathmandu

[Allen Ginsberg and Gary Snyder at the Human Be-In]

Gurdjieff/Hartmann: Essene Hymn

[Varanasi ghats recorded by Matthew Ingram]

John Cage: Sonatas #14&15 Gemeni

Marion Brown: Bismillahi 'Rrahmani 'Rrahim

Paul Horn: Prologue/Inside

Ravi Shankar: Raga Puriya Dhanashri

[Yehudi Menuhin introduces the tamboura]

Don Cherry: Malkauns

Allen Ginsberg and Arthur Russell: Pacific High Studio Mantra

[Chogyam Trungpa Rinpoche on Harmony]

Sharma/Chaurasia/Kabra: Bhoop - Jhap Tala

Popul Vuh: Ah!

Donovan: The Land of Doesn't Have to Be

[Satchidananda Saraswati addressing the crowds at the opening of Woodstock]

Alice Coltrane: Journey in Satchidananda

Joe Harriot/John Mayer: Acka Raga

[Bhagavan Das interview with Matthew Ingram]

The Mahavishnu Orchestra: You Know You Know

The Byrds: Moog Raga

[Ravi Shankar and George Harrison on the Dick Cavett Show]

Terry Riley: Desert of Ice

Charanjit Singh: Raga Malkauns

Bhagavan Das: Ah!

Retreat: How the Counterculture Invented Wellness

Now available for pre-order.

The Bumper Book of Woe

Hello Woebles!

I've only gone and done it again! Here is the sequel to 2013's "The Big Book of Woe," my latest collection of writing on music, "The Bumper Book of Woe."

This collection has less bells and whistles than the last. It was impossible to organise into anything but a reverse chronology and a preface seemed excessive. However, to my mind, the writing is better and feverish in its own new way. I've tidied up the text and weeded out any crap so what you're left with is 77,594 words for the low price of $2.99. Now THAT'S what I call value.

Keep your eyes peeled for my [now-completed] Non-fiction epic "Retreat: How the Counterculture invented Wellness" coming out on Repeater next year.

Woebot 2.0

Thursday, 25 June 2015 - Wednesday, 7 March 2018.

Reggae Playlists

S90

Blue Boot : Eric Donaldson
Ghost Dance : Prince Buster
Jack Of My Trade : Sir Lord Comic
Preacher Man : The Stingers
Chi Chi Bud : Max Romeo
Them A Fi Get A Beaten:Reuben : Peter Tosh
Dark Shadows Version : Charles Hanna & The Graduates
Do Your Thing Part Two : The Tornadoes
Milk & Honey : Dennis Alcapone
This is a Welding : Keith & Romay
Finders Keepers : The Crystalites
Dr. Who : I Roy
I've Got a Burning Fire : The Wailing Souls
DJ Special : King Sporty
The Gardener : Julie Anne (Judy Mowatt)
Ontarious Version : Charley Ace
Lorna Banana : Junior Byles
Cow Thief Skank : The Upsetters
Black IPA : The Upsetters
Whole Lot A Fire (12" Mix) : Big Youth
Brimstone & Fire : Clifton Gibbs & The Selected Few

CB200

Aily Sound : Lloydie
Guns In the Ghetto : Broadway
Ethiopian War : Roland Alphonso
Bike No License : Easton Clarke
Festive Season : I Roy
Gone Is Love : Inge Larsen
High Locks : Pablove Black
If Loving You is Wrong Version : Busty Brown & The Chosen Few
You're No Good : Ken Boothe
Love of Jah : Vivian Jackson and The Prophets
Tell It Like It Is Version : Glen Brown:King Tubby
Liberty : Junior Ross & The Spears
Freedom : Tappa Zukie
Weeping : Junior Byles
Water Rate : I Roy
Big Cockey Wally : Fay Bennett
Big Pussy Sally:Big Sally Dub (Extended Version) : Lord Creator & The Upsetters
Deck of Cards : Prince Far I
Lagos : Heptones Version
Chim Chim Cheree : The Upsetters
Hard Man Fe Dead : I Roy

GPZ900R

Eek a mouse : Virgin Girl
Horace Andy : Spying Glass
Tristan Palmer : Spliff tail
Michigan and Smiley : Nice up the Dance
Nicodemus : Dog is Better than a gun
Michigan and Smiley : Diseases
Tenor Saw : Golden Hen
Sophia George : Girlie Girlie
Reggie Stepper : Cu Oonuh
Nitty Gritty : Hog in a Minty
Super Cat : Si Boops deh
Shelly Thunder : Kuff
Shabba : Roots and Culture
Nardo Ranks : Burrup
Flourgon : Follow me go dancehall
Cutty ranks : Hitman
Ninjaman & Flourgon : Zig it up
Cutty ranks : Pon Pause
Shabba : Respect
Tony Rebel : Chatty Chatty
Shabba : Wicked Inna Bed
Marcia Griffiths/Tony Rebel/Cutty Ranks/Buju Banton : Discovery
Wayne Wonder : I'd Die without you
Papa San : Hippity Hippity Hop
Louie Ranking : No Move
Louie Ranking : Typewriter
Supercat : Don Dada
Shabba : Ting a ling
Dirtsman : Dance fever
Shabba : Caan Dun : Steely & Cleevie
Capleton : Armshouse
Buju Banton : Batty rider
Ninjaman : The World
Buju Banton : Mind behind the wind

RMZ 450

Buccaneer: Skettel Symphony
Beenie Man: Badder than the rest
10%: U Sue Dub
Tanya Stephens: Big Ninja Bike
Beenie Man: Old Dog
Stink: Girls Anthem
Stranger: Dugu Dugu
Beenie Man: Who Am I
Mykhal Roze: One A Wi
Luciano: One Way Ticket
Johnny Clarke: Leggo Violence
Capleton: Mankind
Louie Culture: Bogus Badge
Sizzla: Black Woman And Child
Sizzla: Mama Africa
Vybz Kartel: Picture This
Elephant Man: Fuck U Sign
Sky Juice: Dance Moves
Wayne Marshall: I Will Love The Girls
Beenie Man: Girls Way
Goofy: Fudgie
Beenie Man: Year 4
Red Dragon: Explode Gal
Beenie Man: Row Like A Boat
Sean Paul: Ever Blazin'
Vibes Kartel (sic): Nobody No Dead
Bounty Killer: Sufferer
Vybz Kartel: Send On
Buju Banton: Up Close And Personal
General Degree: Last Night
Elephant Man & Wayne Marshall: War
Elephant Man: Wrong Application
Baby Cham: Wha Dah Fah

Woebot In Dub v2

Dub So True: Treasure Isle Dub
More Dub Version 2: Dub Serial
Open The Iron Gate part 2: Max Romeo Revelation Time LP
A Who Sey Version 2: Drum Sound
Beware: Yabby You
Counter Attack: Maxfield Avenue Breakdown
Full Dose of Dub: Harry Mudie Meets King Tubbys In Dub Conference
Hell and Sorrow Dub: Jimmy Radway
Jah Macka: Natty Locks
Kunta Kinte: Drum Sound
Ordinary Version 3 Forward The Bass: Randys
Dub with a Difference: Harry Mudie Meets King Tubbys
Pick Up The Dub: Tappa Zukie In Dub
Rebel Dance: Strictly Dub Wize Dennis Bovell
Heavy Duty Dub: Harry Mudie Meets King Tubbys In Dub Conference
Rockers Meets King Tubby Inna Firehouse
Rocking Vibration: Black Foundation Gussie
Romans: Don't Underestimate The Force
Taxi to Baltimore: Scientific Dub Scientist
West Dub: Dreadlocks in Jamaica Jah Stitch
Verdict In Dub: Randys All Stars
Glen Brown: Black Dub
Jammys On The Move: Fatman Dub Contest
Country Gal Dub: Dangerous Dub

Indian Classical Mix

Ok, so let's drop some fuckin' science!

I wrote about these records, as cursorily and unprofessionally as is expected of me, at the original TWANBOC blog. In those antediluvian days one couldn't simply upload mixes which people could stream. That's all changed.

Currently I have 89 mixes on my Mixcloud page. My aim is to have 100 there. 100 mixes which cover the fields of music I'm interested in. Which do justice to my tastes. None of us lives forever. All good things must come to an end.

Accordingly I've been going through my collection of records by genre; slowly picking off the important ones. And Indian Classical music is very close to my heart. It surprises me that in a climate in which the "Composer", "Neo-Avant Garde" and "Drone" are such immutable fixtures that there is almost no coverage of this massively important music. No reissues. Like for instance (to pick a random example) INA-GRM has arranged for it. And yet, of all the "out" musics this is unquestionably the most lovely.

I picked up these records in the nineties. With both my own recent travels in the sub-continent and the post-Acid musical climate in mind. I can't claim to have any gurus with regards to guiding my choice, but I remember David Toop was also "out there". I suppose Arthur Russell's influence, "World of Echo" dropping in my world like a Neutron Bomb, is also tangible.

This selection amounts to a third, the best, of my collection of this music. The whole part in itself carefully chosen. 

The things I liked were almost always on non-standard instruments. That boils down to NO SITARS. I don't mind sitars actually, but once you remove them from Indian Classical Music its "unflavoured" sonic purity is made manifest.

You may not have enjoyed this music before, you may be prejudiced against it. But cast aside your preconceptions - zone out - think of it as summertime, Ambient Music if you like - but LISTEN to the awe-inspiring breadth of expression these masters bring to but single instruments as these sonic worlds unfurl like mandalas.

Sivakumar Sarma - Rageswari

On the legendary French Ethnographic label "Ocora". The Santur sounds a little like a Harpsichord - it's a strange instrument played by hammering strings with small wooden sticks. Sarma, or Sharma, was the undisputed master. This LP was on my WOEBOT 100 list and it justifiably belongs there.

Ustad Ali Akbar Khan - Ahir Bhairav

If the Santur is like a dulcimer, the Sarod is something like an Oud, guitar or mandolin. Much lower in tuning than the Sitar. I always think this stunning recording by Ustad Ali Akbar Khan has a bluesy, almost Rolling Stones-like, quality to it. A bit like that delicious, forbidden pleasure Ry Rooder's "Paris, Texas" soundtrack, even. Notes here like birds.

Ustad Bismillah Khan / Prof V.G.Jog - Jai Jawanti

Jugalbindi as a form is something like a jam. A duet between two master musicians. Bismillah Khan is the go to man for the Shenai, which is like an Oboe with X-ray powers. Jog, a magnificent violinist.

Another wonderful thing about this recording is the cicadas which mesh with the drone of the tambura to create an ecstatic, psychedelic background. Just wait till those spine-tingling, magic moments when they dovetail their phrases...

Ustad Nathoo Khan - Purbi

Sarangi, a bowed string instrument, is another fantastic "non-standard" Indian Classical music instrument. The "late" Ustad Nathoo Khan, yep he was dead when this record came out, was a legendary instrumentalist. Another great Sarangi player is Ram Naryan, of whom I have a number of discs, but there's something particularly eerie about this recording.

Pannalal Ghosh - Yaaman

Old pal Sacha Dieu and I have a shared appreciation for the gaussian waft of flautist Pannalal Ghosh. There's an unmistakably stoned haze about this perfect LP which, like the subsequent Pran Nath LP, is unique in its "high-in-the-mix" tambura. The tambura is that constant drone which sounds like electrical power-lines.

Pandit Pran Nath - Yaaman Kalyan

OK, so here's the bridge to Western music. You like The Velvet Underground? Well this disc was produced by La Monte Young, VU-godfather and Avant-Classical Titan - John Cage's chosen heir. La Monte frickin' loves the tambura, it reminds him of his inadvertently psychedelic childhood spent zonked out on gasoline fumes lurking atop industrial step-down voltage transformers, so here that instrument is pumped way high. Cover here by his wife the gifted calligraphist Marian Zazeela.

Pran Nath was the master of the Kirana school, in some ways an eccentric, non-central body in the Indian Classical Music Cosmos. I always think this is how Dr Seuss's Lorax would have sounded if he sang, rather than spoke, for the trees.

Hiralal - Yaaman

And finally another "Yaaman" - a supposedly romanic night-time raga of which there are three versions in this mix. This Barenreiter Musicaphon LP, like Ocora a top-flight ethnographic recordings label, is curated by the celebrated ethnomusicologist Alain Danielou. As one might expect from such a survey-type recording it takes a bit of digging round in the linernotes to discover the name of the master Hiralal. Always loved the incredible intensity of the Shenai on this one.

OM!

Nu Grooves: New York House and Techno 1983-1996

Calm yourself people! No, this was not mixed by a machine. It was mixed by I, the god-like Woebot. Live on the twelve-tens. No edits. Bo bo bo! Absolutely stunning mix skills in effect. The final part of my massive all-conquering epic House and Techno Roots trilogy and displaying almost scarily perfect taste, education and acumen.Oh my gosh... Bit shorter than the other two mixes at 1 hr 40 mins - a mere 35 tracks - but it felt right.

The sonic argument here is that, in real terms, in genres spawned and ideas conceived, New York was the true sonic innovator of the golden era of dance music (1984-96). New York gave us House (the epicentre moved from Chicago quite quickly), Rave (Beltram, Landlord), Trance (Revelation - first trance track IMHO), Ambient House (the likes of Sound Waves), Jazz House (Burrell), and Dub Techno - Dubstep, even! (Bobby Konders).

We start with a slice of Electro-Garage, Cuba Gooding's "Happiness" already pre-echoing the UK's innovations, take in Todd's "Weekend" remix (Disco still very close) and then we're off! Special mention must go to Code 6's "Third Aura" - Beltram's finest moment. No "Energy Flash" in the same way the Detroit mix had no "Strings Of Life" and the Chicago mix skipped "Acid Trax".

-

Cuba Gooding - Happiness Is Just Around The Bend
The Todd Terry Project - Weekend
Lenny D and Tommy Musto - Everything Bamboo
Masters At Work - Alright Alright
The Break Boys - And The Break Goes On
Ray Love - The Delusion
Flowmasters - House The Crowd (Dub The Crowd)
Landlord - I Like It (Blow Out Dub)
Fallout - The Morning After
DMS - And The Beat Goes On
Royal Orchestra Ltd - Get Down
Bas Noir - I'm Glad You Came To Me (Dub Mix)
Sound Waves - I wanna Feel The Music
33 1/3 Queen - Searchin'
CLS - Can You Feel It (In House Dub)
N.Y. House'n'Authority - Apt 2A
Metro - Angel Of Mercy
Aphrodisiac - Song of The Siren (Black Sea Mix)
Project 86 - Total Recall (Original Mix)
Rydims - Rydim #2 Version
Code 6 - C.O.D.E.S.
Project 86 - Legends
Revelation - First Power
4 Most Poets - Reasons To Be Dismal
Beltram - Reflex
Lost Entity - On The Verge
Code 6 - Third Aura
Major Problems - Overdose
Gypsymen - Bounce
Nu Yorican Soul - The Nervous Track
Aly-Us - Follow Me
South Street Player - (Who?) Keeps Changing Your Mind (The Night Mix)
Kenlou - The Bounce
Mood II Swing - I See You Dancing
Todd Edwards - Fly Away

Force Field: Detroit Techno 1985-1995

This is the conceptual twin to my London's Dreaming mammoth 'Nuum mix of February. Whilst I probably heard Hardcore first, my first musical love in the days of Acid House was Detroit. That's what inspired me to travel around West Africa in 1993 throwing raves. It wasn't seeing Derrick DJ at Bath in 1989 (an alienating experience at the time) or loving the Rhythim Is Rhythim "Emanon" track on the seminal 1990 Network Bio Rhythms compilation which stoked my obsession so much as the influence of my brother-in-law Mike. Later I appreciated David Toop's, and then Kodwo Eshun's writing which included references to Detroit.

Early on in the course of blogging in 2003 I wrote a number of things on Techno which drew me into cahoots with the legendary Kirk Degiorgio, a well-known fellow traveller of those musicians. I think Kirk and I shared a frustration with the discourse around Detroit which in spite of his unquestionable taste and robust support for it, he was perhaps in part responsible for forging. To hear the music as indebted to black music is in some way to negate what makes it so truly exceptional. As a music it doesn't so much as enact the donning of a "white face" (in Fanon's sense) as try to think beyond race. Another way of approaching the topic theoretically it is to try and deconstruct those earlier forms of black music; to look at the likes of Herbie Hancock and George Clinton as transgressive themselves as opposed to automatically belonging to any kind of continuum of Jazz or Funk.

In collecting my thoughts to put this mix together, just shy of 4 hours of my personal favourites of the genre, I read and watched a lot of things on the internet that certainly weren't there in 2003. A few resources stand out: There's the great "Hi-Tech Soul" documentary, also the slightly tedious but ultimately rewarding Red Bull Music Academy interview with Derrick May (hearing Derrick on Ron Hardy and The Institute is powerfully illuminating), Mark Fisher's splendid interview with Mike Banks at The Wire, and finally this excellent Mike Paradinas mix in support of a Heterotic release. What did strike me forcibly was, besides Mike's mix, the almost total absence of a good "classic" Detroit mix online. Think of the multitude of classic Hardcore and Jungle sets! There are many YouTube and Mixcloud shows which feature Detroit legends promising to give an old skool set - but, presumably to the promoter's chagrin, none of the performances contain more than a few great old tracks, and usually much more recent stuff. I can't blame those guys at all, they have moved on and quite rightly so. Derrick, for instance, will always play a few very old tracks, but is also madly passionate about new stuff. If you haven't seen him DJ live, DO NOT MISS THE OPPORTUNITY.

This mix was done live on the 1210s in three sessions, recorded on a Prism Lyra and spliced together in Audition. Mixing Detroit Techno on the decks always has some funny little gotchas: two of these records spun from the centre to the record's edge; Underground Resistance Records especially are always extremely fast, it takes a lot of forward thinking if you do not want to slow any records down (as I have completely avoided); and many of the records have fragile run-in grooves (funky pressings) which makes it extremely hard to hit the first beat if you spin back a record to it.

The mix of 63 tracks is essentially, but broadly, chronological. It would have been predictably geeky to start with A Number of Names "Sharevari" or Cybotron's "Clear" but I decided that this was to be a Techno mix. To that end the first track is Juan Atkin's "Techno Music", the track which caused Ten Record's "Techno - The New Dance Sound Of Detroit" to be called just that, and not "The House Sound of Detroit". That said the first tracks still have a gorgeous, glistening Electro quality. "Techno Music" itself is as near to a Kraftwerk track in spirit than I think any other record ever made. Startling stuff...

The mix takes in the First Wave, the Second and, er, the Third. There a few markers at which point I don't think it makes sense to still be talking about Detroit Techno in the same way. They don't happen all at the same time - some sooner than others - but all combine to sink nails into its coffin. So for instance when Jeff Mills left Detroit for Berlin - nail. When Transmat started licensing 3rd party stuff more, the "Energy Flash" and "Der Klang Der Familie" releases in particular, nail. Richie Hawtin's Plastikman alias, nail. I like Ghostly International, Ectomorph and Matthew Dear very much indeed - I just happen to think that they are something different, albeit great.

Dedicated to those titans of Detroit, Belleville, Windsor and Kalamazoo.

[Was at mixcloud but fell foul of the algorithm - now at YouTube with artwork]

Juan Atkins - Techno Music

Model 500 - Night Drive (Thru-Babylon)

First Bass - Seperate Minds

M 500 - Testing 1-2

Eddie "Flashin'" Fowlkes - Time to Express

Rhythim Is Rhythim - It Is What It Is

Model 500 - Off to Battle

Kevin Saunderson - Bounce Your Body To The Box

Reese and Santonio - The Sound

Kevin Saunderson - The Groove That Won't Stop

R-Tyme - R-Theme

Mayday - Wiggin

Suburban Knight - The Groove

Reese - Just Want Another Chance

Ocatve One - I believe

Symbols and Instruments - Mood

Model 500 - Wanderer

Blake Baxter - Sexuality

Eddie "Flashin'" Fowlkes - Goodbye Kiss

Reese - Funky Funk Funk

Suburban Knight - The Art of Stalking

Rhythim Is Rhythim - Emanon

Rhythim Is Rhythim - Kaos

Rhythm Is Rhythm - The Beginning

Psyche - From Beyond

Vice - Constant Ritual

Fade To Black - The Calling

69 - Ladies and Gentlemen

Bango - Wave The Rave Goodbye

Drexciya - Sea Snake

Underground Resistance - Predator

Underground Resistance - The Final Frontier

Carl Craig - Wrap Me In Its Arms

B.F.C - Please Stand By

Drexciya - Wavejumper

69 - Microlovr

Sueno Latino - Sueno Latino (Illusion First Mix)

Octave One - Nicolette

Psyance - EQ

Open House - Aquatic

Prototype - Biotic

Dark Comedy - War Of The Worlds

Kenny Larkin - Metropolis

Shop - Nitwit

B.F.C - Galaxy

Underground Resistance - Amazon

Paperclip People - Oscillator

MK - Feel The Fire

Derrick May -Icon

Urban Culture - Wonders of Wishing

Kosmic Messenger - Soundscape

UR - 046

The Martian - Search Your Feelings

Eddie "Flashin'" Fowlkes - Sex In Zero Gravity

Red Planet - Star Dancer

Robert Hood - Untitled 2

Psychic Warfare - Tails From The Crib

Jay Denham - People's Revolution

Millsart - Gateway Of Zen

Robert Hood - Museum

Dan Curtin - 3rd From The Sun

Morgan Geist - Stillway

Space - Envision

London's Dreaming Mix

I know, I thought,  I'll make a Hardcore mix. All my own personal favourite tracks. No, wait a second. What about four mixes? 92. 93. 94. 95-96.

Then, hang on, why don't I just make one massive five-hour continuum style mix spanning the whole era. But was such a thing even possible in human terms? Would I survive such an endeavour?

It took weeks to go through all my old jungle records appraising them. It couldn't be one of those tedious "best of jungle" mixes" that litter YouTube and Mixcloud full entirely of famous tracks which everyone has heard. And I picked up a few new tracks. My, how expensive they have become...

Equally it couldn't be simply obscure tracks, because the big tracks are frequently the greatest. "Personal favourites" - that became the organising principle and there are many tracks in here that even the deepest Hardcore aficionado will never have heard.

If there one was one mix which inspired me it was J Rolla's "Drum Trip" mix - well, I may not be able to beat that but I thought I'd give it my best shot. Rolla's is a brilliant mix. I even stole two tracks from him. Thanks for that J. I may have given him a run for his money but the criteria are different. I haven't had to deal with the dread of repeating myself too much, which anyone DJ-ing and uploading more frequently would have to contend with. But I still avoided tunes from my mixes Joyride,  Ambient Jungle, and Brick Door all of which traverse similar terrain.

I briefly looked into studio mix software, then thought better of that. I rigged up the ol' 1210s (I had to reclaim them from my children) and got my bearings with the beat mixing reasonably quickly. There is some bad mixing - there are a few tense moments. A few cuts are too abrupt (woah, it's going wrong!!!). It was completed in three sessions. The only post work was to bring up the volume of a couple of tunes and splice out Foul Play's original version of "Feel The Vibe" with "Feel The Vibe (Again)" - their remix is SO much better.

Here's to the genius of those wonderful dreamers who gave us these 83 magical tracks.

London is Dreaming track-list in full:

Rhythm Section - Dreamworld
Urban Shakedown - Bass Shake
A Guy Called Gerald - The Musical Magical Midi Machine
Nookie - Give A Little Love
The House Crew - Keep The Fire Burning
4 Hero - Ghost Stories
Ephemerol - 456
MI7 - Rockin’ Down The House
The Brothers Grimm - Exodus
Hyper-On Experience - Assention
Sy-Kick - Follow Me
Sub Love - Maniac Music
Foul Play - Feel The Vibe
Body Snatch - The Strength
Foul Play - Dubbing You
Rufige Kru - Kemistry
Noise Factory - All Crew
Yolk - Music 4 Da People
DJs Unite - Bass Penetrates
Psychotropic - Hypnosis (SL2 Remix)
Andy C - Never Felt This Way
A Guy Called Gerald - The Freak Inside
Q Bass - Funky Hardcore
D’Cruze - What A Rush
Neuromancer of Structural Damage - Pennywise
Wax Doctor - The Stalker
Tango - Timebomb
Bay-B-Kane - Bagpipes in Effect
Timelapse - Sued For a Sample
DJ Rap And Aston - Feel The Magic
Ekude - Common Sensi
DJ Crystl - Suicidal
Hyper-On Experience - Disturbance
Noise Factory - We Have It
Body Snatch - Tuffness
A Guy Called Gerald - Darker Than I Should Be
4 Hero - Journey From The Light
The House Crew - Maniac (The Final Conflict)
Ruffige Cru - Ghosts of My Life
Foul Play - Finest Illusion
Manix and Rufige Cru - You Held My Hand
Noise Factory - Can You Feel The Rush
Doc Scott - Street Knowledge
Trinity - Chapter 19
DJ Hype - Come Again
Dillinja - Untitled
The Whitehouse Crew - Anonymous
Underground Software - Music Maker Possee
Tayla - Remnants
Flatliner - The Big Bang
DJ Kane - Lost
Smokey Joe - Shining Remix
Randall and Andy C - Feel It
International Rude Boyz - Paragone
DJ Solo - Deal Wid It
L Double - What Am I Gonna Do?
AK47 - Body Candone
DJ Flynn and DJ Flora - Jungle Love
Aladdin - We Enter
Noise Factory - Feel The Magic
Fusion - Love for the World Part 2
Roni Size - Fresh
Dillinja - Stompers Delight
Dillinja - Deep Love Remix
Cold Mission - Drug Store Rude Boy
Deep Blue - Helicopter (Rufige Kru Remix)
Low Key Movements - Come Cross!!
Koda - The Deep
DJ Crystl - Crystylize
Gappa G and Hypa Hyper - Roach is Burning
Charlie Recall - Submerged
DJ Nut Nut + Pure Science - The Rumble
DJ SS - Black
DJ Pulse - Stay Calm (Foul Play Remix)
Shimon - Within Reason (Liftin’ Spirits Remix)
Cool Hand Flex - Melody Madness
808 State - Azura (Dillinja Remix)
Maldini - Daze
DJ Die - Play It For Me
Glamour Gold - You Can Run
Firefox - Bass-switch
Capone - Mysteries of The Deep
Firefox - Bonanza Kid